I design layouts that are engaging to navigate, then layer in gameplay ingredients and objectives that give a space real replayability and room to scale. Above all, a world has to balance logic with fun.
Video walkthroughs of spaces I shipped.
World Locations — Assassin's Creed Odyssey
A tour through the world locations I shipped across AC Odyssey's Greece.
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Hawara Labyrinth — Assassin's Creed Origins
A labyrinth players are supposed to get lost in, without ever feeling cheated.
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Limestone Quarry — Assassin's Creed Origins
An open-world quarry built for verticality, followed from blockout to ship.
Video reelMost recent podcasts, panels, articles and meetups.
The AI Lab is where I build things that earn their keep — small, personal software that helps real people through real moments. It is also where the writing lives: interactive romance shaped by a long love of otome games and East Asian romance stories. Useful things and felt things, made with the same care.
What I build when I'm not building worlds.
A running log on both crafts — level design and the things I build after dark.
Tessera: a letter with no moving parts but you
Tessera is a free tool and an open format for writing letters that arrive decades from now. I built it to outlive every company, server, and person involved, including me.
2026-07-11The best edit lost to the plainest one
Picking a hero portrait for a dark, restrained site meant rejecting the most impressive AI edit for the quietest one, then rebuilding it as an interactive video.
2026-07-10A soundtrack good enough to sell, and wrong for its scene
Generating soundtrack, lyrics, and scene art for Perpetūra with Suno and an image model, and the gap between impressive and usable in context.
Senior Level Designer at Embark Studios, previously Ubisoft — Assassin's Creed Origins, Odyssey and Valhalla. I build worlds by day, intelligent machines by night, and write about both. Based in Stockholm.